333 Royalty-Free Audio Tracks for "Layered Recording"

Simple kiss sound effect created by layering three recordings. Used izotope rx for cutting and de-noising. Cubase for the layering.

Playing the flute, one tone, recorded (shure sm58), pitch shifted, layered.

This was a shotgun i recorded with 6 mics then layered it to big it sound very fat and powerful for the screan then added eq and compression.

Two acoustic snares layered, added reverb, recorded with se x1 condenser mic and shure sm58. Dominic smith.

This was a silenced pp7 which i recorded and layered to make it sound and fat. I used sound design techniques such as layering, eqing, pitching & compression.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

Grabado de cerca con nt-1. Creado por capas. Close up shot with nt-1. Layering.

Multi-layered clap recorded with digital reference dri100.

Multi layered recording of clapping and clicking. With a touch of reverb on the clicks.

Very complex sound which took a lot of effort to make. Used different techniques to create the punch. The drop was created by creating a body out of pillows sand ect. Layered and used effects.

Recorded snaps and claps, layered and processed in fl12.

Foley kick consisting of multiple layers recorded in an old factory.

Soundtrack created purely from audio recorded with a contact mic and stones, layered and sometimes slowed down. For immersive stories, the unheard voice. Made by thijmen boet and luka geelen.

Foley snare consisting of multiple layers recorded in an old factory.

Foley kick consisting of multiple layers recorded in an old factory.

Recording of swimming. Since the sony ic recorder only records in mono, i layered 3 separate splashes sounds(1 left, 1 right, 1 center) to achieve a fake stereo sound. Processed in fl studio's edision.

A bit of a doss around in audacity with lots of layered recordings.

A layered recording of ripping of duct tape.

Multiple layer of switches in an old theatre.

Multi-layered ambience recording done with yamaha keyboard.

Multiple recordings of the jordon river layered and stereo inhanced.

Layered eight recordings of whispering to add an eerie effect to any project.

A person walking on a thin layer of snow, making a crunchy sound. Recorded using an iphone.

Layered recordings of waterfall emphasizing deep lows and misty highs.

I took a clip from the audio i recorded of wax paper crinkling, cut a segment from it, played it backwards, put it on loop, layered it with the original, and this is what i got. There is an somewhat syncopated pattern to the sounds, but the audio is cut off before it makes a full cycle. Enjoy.

Master is coming, recorded myself on android samsung voice recorded, processed in audacity by layering and pitchshifting.

Multi-layered ambience recording done with yamaha keyboard.

Layered snare that has been eq'd (equalised)it was made in ableton and processed with a couple of third party plugins. It's a combination of sounds that i've found on the internet and recorded. This snare obviously doesn't have to be played in trap music but it's been layered with a 808 even if you can't here it or not it has similar fundamentals. It has been compressed also.

Recordings taken near ymittos mountain, manipulated afterwards in reaper through a filter. 5 recordings layered and filtered that create this composition.

So yeah. It's a kick that's been layered, distorted and recorded :d.

Tearing a few layers of christmas wrapping paper. Recorded with my phone.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

A record of me whispering nonsense and dark phrases, multiple layers to make it sound indistinct and hard to understand the sentences. You could use it for creepy horror stories, videos or games. :3.

Layered studio recordings of myself going 'hah!' originally for a tarzan kind of piece.

Sound i created by layering two bricks being smashed together. Recorded into pro tools with an akg 414.

Foley snare consisting of multiple layers recorded in an old factory. Resembles pitched, trap-style snare sound.

An old recording of me being annoying, that i had apparently looped and layered (probably for extra annoyance).

Some hand claps i recorded in my studio by layering 48 individual tracks.

808 drum sounds played through an orange amplifiers "micro crush" miniamp recorded for stereo ambiance in the original batcave. These work well as drum layers under more conventional sounds, and in other creative ways. Recording assisted by steve and mikro.

A lush and airy pad. Started as a recording of a note on alto saxophone. It contains several resampled/paulstretched layers.

It starts with a little click i've recorded, then processed through a granulator called dropout, + a little layer of reverb.

My first upload. I created this by layering several sounds i recorded and heavily modified, such as blowing into the microphone or shaking plastic bags.

Layered sound made from door mechanisms, handclap and whistle. Recorded with akg 2006 mixed in audacity.

Freighttrain passes by recorded with h2n sourround m/s and xy layered.

5 individual sounds created for a cyclops monster in a project that was cancelled before any real sound design could begin. This sound was created by recording various vocal noises and importing them into pro tools. Each vocal take was then pitch shifted down by -24 semitones and duplicated into 4-5 layers. These layers were processed individually using techniques such as reverse reverb, distortion and eq to emphasise different aspects of the creature's roar. The final sound is a result of all these layers playing simultaneously.

A plastic bag, paper wrapper and other materials were recorded individually being rubbed. I then layered them in audacity to be played over each other. From the resulting layered sound i generated this 10 second loop. Sounds like a mellow rain upon the ground or a slow crackling fire. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Attribution appreciated but not required.

Comprised of two recordings. After about a minute and 45 seconds, i add a third layer, a copy of one of the original sounds.

Recorded on a laptop microphone, using my own hand claps, layered many times and manipulated in audacity, for a song. Surprisingly good result. Enjoy :).

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.